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Cancel Resend Email. Add Article. Shin Godzilla Critics Consensus Godzilla Resurgence offers a refreshingly low-fi -- and altogether entertaining -- return to the monster's classic creature-feature roots.
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How did you buy your ticket? View All Videos 1. View All Photos Movie Info. A mysterious monster emerges from Tokyo Bay and wreaks havoc upon Japan.
Hideaki Anno , Shinji Higuchi. Hideaki Anno. Jul 19, Cine Bazar, Toho Company. Shin'ya Tsukamoto Biologist. Satomi Ishihara Kayoko Ann Patterson.
Hiroki Hasegawa Rando Yaguchi. Takahiro Miura Journalist. Hideaki Anno Director. Shinji Higuchi Director. Hideaki Anno Screenwriter.
Masaya Shibusawa Producer. Taichi Ueda Producer. Kazutoshi Wadakura Producer. Akihiro Yamauchi Executive Producer.
Kosuke Yamada Cinematographer. Hideaki Anno Film Editor. February 26, Full Review…. October 13, Rating: B Full Review….
October 12, Rating: B- Full Review…. July 1, Full Review…. October 20, Full Review…. June 20, Rating: 4. April 16, Full Review….
View All Critic Reviews Apr 10, Finally a new Godzilla movie with some teeth! What makes this interesting though are the scenes depicting how the folks behind the scenes hope to get rid of the big lizard.
There's a hierarchy. The proper people need be seen first. The whole Japanese collective thinking machine displayed pretty convincingly.
Versus the American style. There's a "versus the Americans" thread going that spices the proceedings some. Bring on the next! Kevin M.
W Super Reviewer. Dec 04, A good and entertaining return to the original Japanese Godzilla series, It wastes little time getting to the destruction and there's an awful lot at times, Godzilla's style was very old fashioned and even though it looks very weird it's the classic look, There's some humour and camp bits at times but doesn't effect the movie, The effects were amazing with the city carnage and action make the movie as good as it was.
Jamie C Super Reviewer. Oct 19, Shin Godzilla is unlike just about any monster movie you've ever seen, and I don't know if that's a good thing. The newest rebirth of the famous giant monster takes a new approach to large-scale destruction: bureaucratic minutia.
This feels like a state department underling's doctoral thesis that was adapted into a feature film. We get a team of different intelligent operatives talking Aaron Sorkin-level fast and trying to work through the red tape of government to address the pressing needs of a giant fire-breathing lizard.
We get treated to just about every meeting room in Japan as the majority of scenes last a whopping seconds. The pacing is so clipped, the satire is so understated, and the characters so numerous, that I was easily lost in the weeds and that was before Godzilla made its less than auspicious debut on screen.
It's nothing short of what one of my friends described as a "turkey snake," and the googly eyes aren't helping. I'll make the same demand that I made with the American Godzilla movie: I need more Godzilla in my Godzilla movie, please.
For fans of the series, they'll likely connect more with the social conscience platform and political critiques, but I couldn't engage at all.
I was eagerly waiting for this movie to just be over so I could shake it from my head. It felt like being talked at in the corner of a party by someone who just read a book on a topic that you couldn't care less about.
I'll grant the filmmakers credit for finding a different approach and one seeped in the realistic details of government action, but if you're like me, by the fifteenth conference room your eyes will glaze over.
I don't think this was the best approach for a film narrative and it completely drains the fun from giant monsters.
Nate's Grade: C. Nate Z Super Reviewer. Oct 14, Shin Godzilla or 'Godzilla: Resurgence', the Godzilla film I never asked for yet after the success of Gareth Edwards 60th Anniversary film from , the original studio ToHo decided they were interested in making their own vision to capitalize on the brand even further.
It shouldn't come to a surprise given how big the brand is in it's native Japan, whilst I was skeptical I was also curious to see how it would turn out.
Even with a Japanese production the campy factor of the franchise is back only this time the film is a full-fledged reboot not connected to any previous rendition.
The film for one is unique able to offer a different perspective on the monster everyone knows and loves, though it's also a little inconsistent itself, attributing the original film with classic music themes and the original roar.
Even with fast paced editing, impressive creature effects and a somewhat entertaining scope, the sequences and action involving Godzilla are few an far between a lot of player not character human drama and exposition.
My only gripe with the creature design was how it started off and the overall hideous eyes that made it look like a dead amphibian zombie.
While I really like Gareth Edwards' film, I can honestly say I was more invested and entertained with that film than this. Oh and I don't know if it should be a surprise to anyone this film ended with a sequel beg, WTF!
Luke E Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie.
EMBED for wordpress. Want more? Advanced embedding details, examples, and help! All I can say about it is The special effects is extremely superb.
Shinji Higuchi is the director of sfx for this film. He's known best for his work on the 's Gamera trilogy. Reviewer: tedmichelini - favorite favorite favorite favorite favorite - January 25, Subject: Easily the best Godzilla movie ever made.
Real plot, acting, dialog, production values, special effects and innovation. The US versions are stake dehydrated crap by comparison irrespective of budgets or box office.
Production credits . In December , Toho announced plans for a new Godzilla film targeted for a release, stating, "This is very good timing after the success of the American version this year: if not now, then when?
The licensing contract we have with Legendary places no restrictions on us making domestic versions. Minami Ichikawa would serve as the film's production manager and Taiji Ueda as the film's project leader.
Ueda confirmed that the screenplay was in development and filming had been planned for a summer shoot. Toho would additionally put together a project team, known as "Godzilla Conference" or "Godzi-con", to formulate future projects.
In March , Toho announced that the film would be co-directed by Hideaki Anno and Shinji Higuchi who both collaborated on the anime Neon Genesis Evangelion , in addition to Anno writing the screenplay and Higuchi directing the film's special effects.
Toho had approached Anno in January to direct the reboot but Anno initially declined due to falling into another depression after completing Evangelion: 3.
Even to begin work on the next Eva is impossible. But I thought that if I were to come close even a little, I would have to do the same thing [as the first film].
Mahiro Maeda provided the new design for Godzilla while Takayuki Takeya provided the maquette. In the end, it was the best option to allow quick edits as creative visions changed and produced a high quality film.
Principal photography began on September 1, , with a large on-location film shoot at Kamata station in Tokyo under the working title "Shin Gojira".
It's not like it was produced just because of the Hollywood Godzilla". Shiro Sagisu scored the film. In November , without any prior announcement, Toho screened a promo reel at the American Film Market for a potential sale for overseas markets, marketing the film for a while as Godzilla: Resurgence.
Shin is the second tallest live action Godzilla in history. In January , images of the Godzilla suit were leaked online. For summer , the Namja Town amusement park held special Godzilla cross-promotion activities.
The park unveiled a new virtual reality game, the food court produced kaiju-inspired food dishes, and a Godzilla foot on display as though it had crashed through the roof of the attached Sunshine City Alpa shopping center.
Shin Godzilla was released on July 29, , in Japan in over theaters  and screens. The mistake was make [ sic ] because we said Godzilla coming soon.
This was merely a post to promote Godzilla as we too are big fans. We apologise for any confusion regarding this film.
In early September, Funimation officially announced that the film was to be given a one-week limited release in the United States and Canada from October 11—18 on screens, in Japanese with English subtitles, making it the first Japanese Godzilla film to receive a theatrical North American release since Godzilla A release for the United Kingdom was cancelled after Altitude Films , the distributor for that territory, dropped rights to the film after a showing at a FrightFest event in Glasgow on February King Ghidorah and Godzilla vs.
This release also included the Funimation dub. Shin Godzilla received critical acclaim from Japanese critics   and mixed reviews from Western critics.
The site's consensus reads: " Godzilla: Resurgence offers a refreshingly low-fi — and altogether entertaining — return to the monster's classic creature-feature roots.
Japanese pop culture site RO65 called the film a "masterpiece of unprecedented filmmaking", and felt that the film retains a "strong respect for the fundamental message within Godzilla".
Kazuo Ozaki from Eiga. Godzilla: Resurgence is a series of compelling ideas in a so-so Godzilla movie. Ollie Barder from Forbes was surprised at "how good" the film was, praising Anno's classic Gainax motifs, though he was not completely fond of Godzilla's new design; he felt that the "googly" eyes made Godzilla look silly but that the design was more "organic and menacing" than previous incarnations and praised the film's depiction of Godzilla, stating, "I really liked the way Godzilla is handled in this new movie, as it feels a lot more like the God Soldier short that both Anno and Higuchi worked on" and concluded by stating that he "really enjoyed" the film and that it had a "far more coherent plot" than 's Godzilla.
Goh gave the film a 3. Jay Hawkinson from Bloody Disgusting called the film a "very good Godzilla movie that teeters on greatness".
However, he felt the film's drama "didn't always work" and some of the English delivery felt "canned and often corny", particularly Satomi Ishihara's character who he thought was "convincing" at times but a "hard sell in her role".
Matt Schley from Otaku USA called the film "A match made in kaiju heaven", and praised Anno's directing: "It's also a reminder, after years in the Evangelion reboot woods, that Anno is one of Japan's most unique directorial voices in either animation or live-action filmmaking".
Though he felt the special effects weren't as impressive as 's Godzilla , Schley stated that the film's CG "gets the job done, though there are a couple questionable shots" and concluded by stating that "Hideaki Anno has achieved a successful resurgence for both the Big G and himself.
Theatrical release poster. Toho Pictures  Cine Bazar . Scifi Japan. Retrieved October 23, Box Office Mojo. The Good, the Bad, and Godzilla. Retrieved September 24, Japan Times.
Retrieved October 8, The Diplomat. The New Yorker. Retrieved May 16, Arkansas Online. Retrieved March 31, Anime News Network.
Retrieved November 30, The Good, the bad, and Godzilla. Sports Nippon in Japanese. Retrieved September 22, Cinema Today.
Crunchy Roll. Cinematography was good, special effects were much better than in the previous versions. Snappy dialogue, really solid satire on the incompetency of the Japanese bureaucracy.
It's been done before, but here Odd to see purple laser rays coming not only from Gojira's mouth--and its lower jaw splitting apart--but also from its back and tail, but that's the newest version.