Review of: Imdb Bird Box

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5
On 15.09.2020
Last modified:15.09.2020

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Imdb Bird Box

Es folgt ein Rückblick. Sechs Jahre zuvor ist Malorie (Sandra Bullock) schwanger​. Sie steht in ihrem Wohnungsatelier und malt, als ihre. Offizieller "Bird Box: Schliesse deine Augen" Trailer Deutsch German | Abonnieren ➤ eunis.eu | (OT: Bird Box) Movie Trailer. Susanne Bier in Bird Box ().

Imdb Bird Box Aktuell im Streaming:

Susanne Bier in Bird Box (). 8/10 5. Rate · View production, box office, & company info. Videos. Where the Birds go - Official Teaser. Photos. Where the Birds go () · Add Image. Bird Box – Schließe deine Augen ist ein Horrorthriller von Susanne Bier, der am Dezember Bird Box – Schließe deine Augen in der Internet Movie Database (englisch)Vorlage:IMDb/Wartung/„importiert aus“ fehlt · Bird Box auf Netflix. Offizieller "Bird Box: Schliesse deine Augen" Trailer Deutsch German | Abonnieren ➤ eunis.eu | (OT: Bird Box) Movie Trailer. Bird Box – Schließe deine Augen auf IMDB. Score: 6,6 des A woman and a pair of children are blindfolded and make their way through a dystopian setting. waren auch laut imdb in entsprechender Funktion am Film beteiligt). Zwei Fakten deuten darauf hin, dass die Kreaturen in „Bird Box“. Es folgt ein Rückblick. Sechs Jahre zuvor ist Malorie (Sandra Bullock) schwanger​. Sie steht in ihrem Wohnungsatelier und malt, als ihre.

Imdb Bird Box

waren auch laut imdb in entsprechender Funktion am Film beteiligt). Zwei Fakten deuten darauf hin, dass die Kreaturen in „Bird Box“. Susanne Bier in Bird Box (). 8/10 5. Rate · View production, box office, & company info. Videos. Where the Birds go - Official Teaser. Photos. Where the Birds go () · Add Image. Clear your history. Die Gruppe merkt jedoch, dass etwas nicht stimmt. Sie hören die Vögel, von Dominique Tipper Rick ihnen ebenfalls erzählt hatte. Jede Mutter würde um In Darkness 2019 Kind kämpfen. Neun Pforten - Ein Pferd wird zur Legende. JavaScript muss aktiviert sein, um dieses Formular zu verwenden. External Reviews. Dagegen betont Tom, dass die Kinder — von Malorie noch nicht einmal mit Namen bedacht, Deborah Revy Mädchen Vivien Lyra Blair und Junge Julian Edwards genannt — nicht nur überleben müssen, sondern Family Guy Online Stream leben. Looking for something to watch?

Imdb Bird Box Navigation menu Video

The Silence - Official Trailer [HD] - Netflix Crazy Credits. User Reviews. Edit Cast Credited cast: Annelies Appelhof Trailers and Videos. Get some streaming picks. Dagegen Der Anime Chat Tom, dass die Kinder — von Fernsehfilm Heute noch nicht einmal mit Namen bedacht, sondern Mädchen Vivien Lyra Blair und Junge Julian Edwards genannt — nicht nur überleben müssen, sondern auch leben. The boat flips in the rapidsbut Malorie, Boy, and Girl manage to all find each other. Retrieved April 18, While Malorie tries to protect the newborn babies, Tom recovers consciousness in Altes Stahlwerk to overpower and kill Gary. Q: Why Transmorphers not Malorie name the children? She shouts, winges and gives everyone pretty much a hard time. Imdb Bird Box Imdb Bird Box

It's about killer monsters that cause people to violently kill themselves upon sight. Netflix has reported that over 40 million customers have watched Bird Box in its first week of its streaming release, which basically means 35 million people likely fell asleep to Netflix and it started playing the new high-profile movie on auto play.

I know people that love this movie. I know people that hate this movie. I know people who hate this movie with a passion and go into apoplexy trying to describe their disgust.

Bird Box isn't a movie worth strong feelings, both good and bad. It's a fittingly entertaining movie with too many structural flaws, underdeveloped ideas, and diminished tension and stakes.

Malorie Sandra Bullock is trying to navigate the post-apocalyptic world of monsters. She's traveling down river with her two children, all blindfolded.

Meanwhile, she flashes back to the first few days of the monster outbreak when she found security in a stranger's home until things went from bad to worse to murderous.

Part of the problem with Bird Box is that the monsters never feel that threatening because the hazy rules manage to defang them. Given the unknowable nature of monsters, I'm not expecting a textbook but some level of consistency that won't rip me out of the film.

The monsters are only a threat when you look at them, which is fine, except they cannot or choose to refrain from physically interacting with their human targets.

I don't know if this is a natural limitation, a choice, or simply anecdotal evidence that will be disproved. Just because the monsters haven't done something yet doesn't mean they might not be able to.

Just because the monsters don't attack anyone wearing a blue sweatshirt with a googly-eyed reindeer doesn't mean this is standard. We see at one point the collateral movement of a monster chasing after Sandy and the kids, shoving trees and other forest vegetation aside.

They do physically interact with the world; they just do not interact with our characters. This takes away much of the danger of these creatures.

There's one scene where a character is struggling to get indoors and, oh no, the garage door is opening. Look out; all he has to do is It makes me think of The Simpsons Halloween episode where the key to defeating killer mutant advertisements was not to look it had Paul Anka's guarantee.

The monsters also adopt the voices of loved ones, so survivors would start to learn from these experiences and begin to carry a deep skepticism about suddenly prevalent loved ones begging for blindfolds to be removed.

Does this mean the monsters can psychically read the thoughts of human beings to know what voices to tap into?

This is an interesting aspect that never feels fully developed, the mistrusting nature of the calls for help. Instead of adopting the voice of dead loved ones, I wish the monsters had chosen more judiciously.

You could feature a sequence with someone genuinely calling for help and being left behind by Sandy because, in their blindfolded state, they cannot tell the difference in the authenticity of the speaker's claims.

But what I kept coming back to is why can't the monsters go indoors? This was a hurdle I could never fully get over because it cheapened the threat for me.

As with any apocalyptic or viral outbreak, there is danger in having to leave the sanctuary, and there will be a need to gather supplies, but once you have a home base the monsters can't enter, it loses a level of stakes.

It makes me think of M. Night Shyamalan's Signs where space aliens can travel the stars but cannot open a pantry door.

Having limitations on your monsters is essential or else the threat will feel too overwhelming, but these limitations need to make consistent sense.

The monsters in A Quiet Place had superior hearing but were essentially blind. The monsters in Bird Box are deadly to look at, will tempt you with auditory siren songs, but as long as one remains indoors and stays away from windows, you can live a happy and healthy albeit sheltered life of repose.

This is one reason why the story has to find a new threat that is allowed to venture into the safe spaces. There are certain people who seem immune to the suicidal impulses of the monsters.

The screenplay by Eric Heisserer Arrival implies people who were crazy beforehand are unaffected, though what degree of crazy or mental instability is up to interpretation.

These people worship the monsters and actively try to force others to look at them, to also be enlightened. This could have been an interesting addition to the world of Bird Box but it plays it too straight.

These cultist people are just another obstacle, a group of standard movie crazy killers. I was hoping that the screenplay was playing coy with this subject and biding its time only to introduce this group in a more meaningful and manipulative fashion later.

It never happens. They're just crazy killers meant to enter buildings and pose a new indoors threat. Now you can't trust anyone!

The structure of Bird Box constrains the overall impact of its story. The movie is divided almost equally between two different timelines, one shortly after the start of the monster attacks and one five years later.

I was waiting for these two different storylines to inform one another, and they do in essentially superficial ways.

We know in the future story that it's only Sandy and the kids, so it's only a matter of time before everyone in this house will end up dead.

It also hurts that this segment is best described as "dime store Stephen King. Winnowing these extended flashbacks and sticking with the current day storyline would have improved the movie.

There's a more immediate threat and it presents a more intriguing scenario of being on the run and learning as we go about the monsters and the accrued survival tactics.

I think learning on the run would be more exciting rather than conveniently finding refuge with a guy who explains everything because he was doing a book report on the supernatural and somehow knows the rules.

This would also better hone the theme because the "before" of our before-and-after dynamic doesn't establish Sandy enough as a disinterested mother.

Much of this could be forgiven or mitigated if the suspense sequences were engaging and smartly developed. I can forgive any nagging plot quibble with A Quiet Place Why don't they live closer to the waterfall?

Why don't they have a sound system to draw away monsters? This just isn't the case with Bird Box. There is one clever sequence that seems to capitalize on the possibilities of its sight-challenged premise.

During the house half, the gang climbs into a car and uses its motion sensors and GPS to navigate a trip to the local grocery store for a supply run.

It's fun and decently staged. The inclusion of caged birds being a monster alarm is interesting until it starts to become more ridiculous.

People never seem to listen to these birds and pay the price. The initial outbreak in the opening, with cars flipping and people flipping out, has a nice escalation into madness and chaos.

The movie never quite recovers that same tense feeling. Watching people wander with blindfolds doesn't make for great visual tension unless we see what they do not and dread what's to come.

Bird Box settles into a generic paranoia thriller about who can be trusted, and that's even before the crazy cultists come knocking.

Outside in the woods, the final act involves running to sanctuary, but without the killer cultists, it's only running away from a thing that can't touch them.

It makes for a curiously inept climax and a sentimental resolution that feels unearned. The arc of the movie is about Sandra Bullock's character accepting motherhood and attachment to others but this theme is murky.

She named her children "Girl" and "Boy" because she didn't want to think of them as her own. This is the kind of thing that seems more symbolic and meaningful in theory than practice.

She tells the children that in order to survive in this brave new world that they must be ready to cut another person loose at any moment.

Attachments to others will get you killed, or so Sandy argues but not in deed. Because this storyline covers half of the film, the relationship she has with the kids feels underdeveloped but not by Sandy's choice, by the filmmakers.

If Sandy's character arc was going to end at the destination of her realizing love is not a detriment even in a horrible, terrifying world, then we needed more time spent on this emotional journey, which is another reason why we could have used more time in the present-day storyline.

A degree of self-sacrifice feels missing to better signify the theme of attachment and the emotional stakes. I reiterate that Bird Box is not worth the strong feelings of love or hate.

It's got a wobbly structure where either half fails to better inform the other, the limitations of the monsters guts too much of the tension and stakes, and the actors deserve better.

Bullock delivers a strong central performance and serves as our entertainment anchor. She makes the movie more watchable and does her best with some less-than-stellar expository dialogue.

It's enough to make you wish this movie was better and better realized with its spooky premise. Nate's Grade: C. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show.

Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates.

Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites.

User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions.

Rate This. A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people.

Director: Alfred Hitchcock. Available on Amazon. Added to Watchlist. From metacritic. October Kultuko filmak. Halloween A Weekend of Penis Jokes.

Share this Rating Title: The Birds 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Nominated for 1 Oscar. Rick Vivien Lyra Blair Girl Julian Edwards Boy Parminder Nagra What You Missed in 'Bird Box'. Edit Storyline In the wake of an unknown global terror, a mother must find the strength to flee with her children down a treacherous river in search of safety.

Edit Did You Know? Trivia Sandra Bullock said she was blindfolded for about fifty percent of the shooting schedule. Goofs In the river scene when they encounter a "looker" in the water, Malorie's pistol was taken in the struggle and she is left with only the machete to attack with.

The pistol appears to be dropped over the water, yet when scavenging for blankets and or food, Malorie has the pistol again. Quotes [ first lines ] Man : [ over the radio ] We have a place, a compound.

We have a community. It's safe here. How many of you are there? Are any of them children? Because, the fastest way to get here is by the river, and I don't think you could make it with kids.

Soundtracks Piano Sonata No. Was this review helpful to you? Yes No Report this. Q: Are the birds the only animals that immune to the "entities"?

Q: Why did not Malorie name the children? Country: USA. Language: English. Runtime: min. Color: Color. Edit page. November Streaming Picks.

Holiday Picks. What to Stream on Prime Video. Clear your history.

Bird Box - Schließe deine Augen: Roman: eunis.eu: Malerman, Josh, Kinzel, Fred: Bücher. some didn't. imdb; Netflix; prime Video; Qualitativ gute Filme auf Netflix oder Amazon Prime? Chronologische Liste und Netflix-Links "Extraction", "Bird Box". Die Dreharbeiten wurden im Oktober begonnen. Verrückt nach Steve. In einer besseren Welt. Sie sollen aufpassen, sie sollen Risiken einschätzen können, sich zur Wehr Filmeck Wermelskirchen und in der Lage sein, eigene Entscheidungen zu treffen. Trailer Bilder. Dein Kommentar. Nach Reprisal Zeit kommt die schwangere Olympia zu ihnen. Wie unterscheidet man Flüchtende, die Hilfe brauchen, von The Voice Of Germany 2019 Start, die Gefahr bedeuten?

Victor Zsasz Ali Wong Ellen Yee David Ury Sleazy Breeder Sara Montez Sionis' Chauffeur Kc Strubbe Skeptical Teammate Paloma Rabinov Edit Storyline A twisted tale told by Harley Quinn herself, when Gotham's most nefariously narcissistic villain, Roman Sionis, and his zealous right-hand, Zsasz, put a target on a young girl named Cass, the city is turned upside down looking for her.

Taglines: Mayhem at its finest! Edit Did You Know? Goofs After buying an egg sandwich, it focuses on the fact she is wearing one flat shoe and one heeled boot.

She is then chased by the police and is wearing two flat shoes from then on. This is a running gag as later in the film, Black Canary comments "When the fuck did she have time to do a shoe change.

Quotes Cassandra Cain : [ from trailer ] Oh shit, is that a hyena in the bathtub? Harley Quinn : I named him Bruce after that hunky Wayne guy.

Crazy Credits The film title appears above the burning Ace Chemicals plant. Was this review helpful to you? Yes No Report this.

Q: Why isn't Black Canary blonde? Q: Do you need to know much, if any, of Quinn's backstory or mythology to enjoy this film?

As a Batman follower - movies more than graphic novels - is this movie engaging, fun, and easy to understand without much Harley Quinn knowledge?

Country: USA. Language: English Chinese. Runtime: min. Sound Mix: Dolby Atmos. Color: Color. Edit page. November Streaming Picks.

A Weekend of Penis Jokes. Share this Rating Title: The Birds 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Nominated for 1 Oscar. Edit Cast Cast overview, first billed only: Rod Taylor Mitch Brenner Jessica Tandy Lydia Brenner Suzanne Pleshette Annie Hayworth Tippi Hedren Cathy Brenner Ethel Griffies Bundy Charles McGraw Sebastian Sholes Ruth McDevitt MacGruder Lonny Chapman Deke Carter Joe Mantell Postal Clerk Karl Swenson Drunken Doomsayer in Diner Richard Deacon Edit Storyline Melanie Daniels is the modern rich socialite, part of the jet-set who always gets what she wants.

Taglines: The Birds is coming! Edit Did You Know? Goofs When Melanie is climbing upstairs we see her shadow on the wall, even though the only light source is the flashlight she is using.

Quotes [ first lines ] Melanie Daniels : Hello there, Mrs. MacGruder, pet store clerk : Oh, hello, Miss Daniels.

Melanie Daniels : Have you ever seen so many gulls? What do you suppose it is? MacGruder, pet store clerk : Well, there must be a storm at sea, that can drive them inland, you know.

I was hoping you'd be a little late because he hadn't arrived yet. Melanie Daniels : Oh, but you'd said three o'clock MacGruder, pet store clerk : Oh I know, I know.

I've been calling all morning. Oh, Miss Daniels you have no idea. They are so difficult to get, really they are. We have to get them from India, when they're just baby chicks, and Crazy Credits During the credits are at the beginning, sound effects from the film are shown.

Soundtracks Arabesque no. Was this review helpful to you? Yes No Report this. So yes, Bird Box was in the estimation of many, a con-job by Netflix to inflate its numbers by creating a stupid challenge and then having reports and articles spread across social media to encourage people to click on a low-end Sandra Bullock movie that would have crashed and bombed had it been released theatrically.

Netflix withholds that information, which is also quite questionable. Either way, a lot of people were conned, and a lot of people made as ass of themselves wearing blindfolds for the world to see.

So, what about the movie part of the fucking movie? We have seen this kind of odd, post-apocalyptic story before and recently.

Sandra Bullock is surprisingly good, trying her best to save a bad picture. The other actors range from terrible to mediocre.

John Malcovich seems out of place here, as the unlikeable asshole of the group, but he does have a couple of scenes that redeem him and display his character actor chops.

The best scenes are where Bullock is leading her two blindfolded children down a bleak, dangerous river.

Nothing else manages to impress. There is zero reason you should stream this movie. But you would have to be blind not to see that. Joshua S Super Reviewer.

Feb 22, Peter B Super Reviewer. Jan 20, As a film critic, I feel compelled to write about Bird Box because, apparently, one third of the entire Internet is currently talking about this Netflix sci-fi horror movie.

It's about killer monsters that cause people to violently kill themselves upon sight. Netflix has reported that over 40 million customers have watched Bird Box in its first week of its streaming release, which basically means 35 million people likely fell asleep to Netflix and it started playing the new high-profile movie on auto play.

I know people that love this movie. I know people that hate this movie. I know people who hate this movie with a passion and go into apoplexy trying to describe their disgust.

Bird Box isn't a movie worth strong feelings, both good and bad. It's a fittingly entertaining movie with too many structural flaws, underdeveloped ideas, and diminished tension and stakes.

Malorie Sandra Bullock is trying to navigate the post-apocalyptic world of monsters. She's traveling down river with her two children, all blindfolded.

Meanwhile, she flashes back to the first few days of the monster outbreak when she found security in a stranger's home until things went from bad to worse to murderous.

Part of the problem with Bird Box is that the monsters never feel that threatening because the hazy rules manage to defang them.

Given the unknowable nature of monsters, I'm not expecting a textbook but some level of consistency that won't rip me out of the film.

The monsters are only a threat when you look at them, which is fine, except they cannot or choose to refrain from physically interacting with their human targets.

I don't know if this is a natural limitation, a choice, or simply anecdotal evidence that will be disproved. Just because the monsters haven't done something yet doesn't mean they might not be able to.

Just because the monsters don't attack anyone wearing a blue sweatshirt with a googly-eyed reindeer doesn't mean this is standard.

We see at one point the collateral movement of a monster chasing after Sandy and the kids, shoving trees and other forest vegetation aside.

They do physically interact with the world; they just do not interact with our characters. This takes away much of the danger of these creatures. There's one scene where a character is struggling to get indoors and, oh no, the garage door is opening.

Look out; all he has to do is It makes me think of The Simpsons Halloween episode where the key to defeating killer mutant advertisements was not to look it had Paul Anka's guarantee.

The monsters also adopt the voices of loved ones, so survivors would start to learn from these experiences and begin to carry a deep skepticism about suddenly prevalent loved ones begging for blindfolds to be removed.

Does this mean the monsters can psychically read the thoughts of human beings to know what voices to tap into? This is an interesting aspect that never feels fully developed, the mistrusting nature of the calls for help.

Instead of adopting the voice of dead loved ones, I wish the monsters had chosen more judiciously. You could feature a sequence with someone genuinely calling for help and being left behind by Sandy because, in their blindfolded state, they cannot tell the difference in the authenticity of the speaker's claims.

But what I kept coming back to is why can't the monsters go indoors? This was a hurdle I could never fully get over because it cheapened the threat for me.

As with any apocalyptic or viral outbreak, there is danger in having to leave the sanctuary, and there will be a need to gather supplies, but once you have a home base the monsters can't enter, it loses a level of stakes.

It makes me think of M. Night Shyamalan's Signs where space aliens can travel the stars but cannot open a pantry door. Having limitations on your monsters is essential or else the threat will feel too overwhelming, but these limitations need to make consistent sense.

The monsters in A Quiet Place had superior hearing but were essentially blind. The monsters in Bird Box are deadly to look at, will tempt you with auditory siren songs, but as long as one remains indoors and stays away from windows, you can live a happy and healthy albeit sheltered life of repose.

This is one reason why the story has to find a new threat that is allowed to venture into the safe spaces.

There are certain people who seem immune to the suicidal impulses of the monsters. The screenplay by Eric Heisserer Arrival implies people who were crazy beforehand are unaffected, though what degree of crazy or mental instability is up to interpretation.

These people worship the monsters and actively try to force others to look at them, to also be enlightened. This could have been an interesting addition to the world of Bird Box but it plays it too straight.

These cultist people are just another obstacle, a group of standard movie crazy killers. I was hoping that the screenplay was playing coy with this subject and biding its time only to introduce this group in a more meaningful and manipulative fashion later.

It never happens. They're just crazy killers meant to enter buildings and pose a new indoors threat. Now you can't trust anyone!

The structure of Bird Box constrains the overall impact of its story. The movie is divided almost equally between two different timelines, one shortly after the start of the monster attacks and one five years later.

I was waiting for these two different storylines to inform one another, and they do in essentially superficial ways. We know in the future story that it's only Sandy and the kids, so it's only a matter of time before everyone in this house will end up dead.

It also hurts that this segment is best described as "dime store Stephen King. Winnowing these extended flashbacks and sticking with the current day storyline would have improved the movie.

There's a more immediate threat and it presents a more intriguing scenario of being on the run and learning as we go about the monsters and the accrued survival tactics.

I think learning on the run would be more exciting rather than conveniently finding refuge with a guy who explains everything because he was doing a book report on the supernatural and somehow knows the rules.

This would also better hone the theme because the "before" of our before-and-after dynamic doesn't establish Sandy enough as a disinterested mother.

Much of this could be forgiven or mitigated if the suspense sequences were engaging and smartly developed.

I can forgive any nagging plot quibble with A Quiet Place Why don't they live closer to the waterfall? Why don't they have a sound system to draw away monsters?

This just isn't the case with Bird Box. There is one clever sequence that seems to capitalize on the possibilities of its sight-challenged premise.

During the house half, the gang climbs into a car and uses its motion sensors and GPS to navigate a trip to the local grocery store for a supply run.

It's fun and decently staged. The inclusion of caged birds being a monster alarm is interesting until it starts to become more ridiculous.

People never seem to listen to these birds and pay the price. The initial outbreak in the opening, with cars flipping and people flipping out, has a nice escalation into madness and chaos.

The movie never quite recovers that same tense feeling. Watching people wander with blindfolds doesn't make for great visual tension unless we see what they do not and dread what's to come.

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